Closeup two

There are a series of curves that flow around the back, which I quite like. I like the lip at the tippy top of the back and the lip at the back of the seat slab. All in all, making these new planes within the form gives a lot of scope for steering the eye around within the piece. I did strain the brain a little over the junction between the verticals and the seat slab, but in the end, it seemed acceptable to have this as a simpler point of separation where joints are left as obvious structural elements.